Defined inside the DKA Framework.
KINEX is Pillar 2.5: the licensing layer after capture, audit and registration—not a detached marketplace idea.
Open the public DKA FrameworkThe Kinetic Licensing Portal · Opening 2027
KINEX is building the DKA Framework’s Pillar 2.5 licensing layer — a private B2B portal for institutions to review and license copyright-registered choreographic IP. Join the waitlist while the catalog moves through registration.
KINEX is Pillar 2.5: the licensing layer after capture, audit and registration—not a detached marketplace idea.
Open the public DKA FrameworkRegistration and chain-of-title evidence establish the legal foundation before operational technology enters the picture.
Open the public production systemPermissions, territory, term, consideration and renewal remain tied to the bilateral agreement that governs the license.
Our choreography-fee waiver is an acquisition strategy, not a discount layer. It brings selected client projects into a production model designed to create protected movement IP.
For selected projects, the client pays a flat production rate. DANCA Media charges no separate choreography fee.
The client funds the production at the flat production rate. DANCA waives its choreography fee entirely; that waived fee is DANCA’s investment in the work and the basis for the resulting IP being registered to and held by DANCA.
The agreed production terms assign the resulting choreographic IP to DANCA, which holds the rights and registers the work through Form PA.
Verified waitlist members receive a first look at new catalog assets before public access opens. Any license requires a separate bilateral agreement.
What “pre-access” means: verified waitlist members get a first look at new catalog assets before KINEX opens publicly. It is an early review opportunity—not a reservation, exclusivity grant or guarantee of a license. Every license remains subject to a separate bilateral agreement.
Catalog admission is gated by the copyright registration pipeline. Filing and review timelines are outside KINEX’s control, so the opening is set for 2027 without a promised quarter.
KINEX turns a scattered rights process into one controlled record for the work, the agreement and every obligation that follows.
Organizes copyright-registered choreographic works for institutional review.
Holds identity, ownership, provenance and rights documentation together.
Tracks bilateral terms, permissions, territories and active periods.
Maintains the settlement record under the governing agreement.
Surfaces time-bound obligations before continuity becomes a risk.
Keeps the evidence trail available for review and audit.
The legal moat establishes enforceable rights. The operational moat makes their administration legible, traceable and precise.
The primary layer anchors every asset in recognized legal instruments and a documented ownership path.
A private technical layer records provenance and automates defined operations under the governing agreement.
The agreement remains controlling. The operational layer supports the record; it does not replace copyright registration, chain of title or written licensing terms.
For teams that need to review, clear and license choreographic IP with institutional rigor.
KINEX opens in 2027. The waitlist is the pre-launch entry point for institutions that want a first look at new catalog assets before the portal opens publicly. Catalog admission remains gated by registration timelines outside our control.