How the marketplace gets built
THE BUILD ORDER
Five builds stand between the marketplace as it is today and the licensing opening in 2027.
Real dancers, real movement, read by LENS.
Consent, chain of title, and a sealed record.
Prepared for the licensing opening in 2027.
The promise is one sentence: “I can visualize it, prove who made it, document who consented, and prepare it to be licensed.” Every build below exists to make that sentence touchable.
Live
THE STUDIO
The working room: begin from a work in the catalog and compose for real, shaping one choreography across a cast with offsets, mirroring, and retiming on a top-down stage. You keep everything you compose, because this is the work The Bundle packages.
Live
THE BUNDLE
One tap, one package: the character and its movement as GLB and FBX, the full cast and each dancer on their own, the record’s formation, its consent summary, and its verification — built in The Studio from the record’s own captured performance, for Unreal, Blender, or Unity. Creation can finish in someone else’s tool; the provenance, consent, and licensing route still runs through KINEX. A robotics delivery of the same records, as joint trajectories in a humanoid robot's own joint space, is in design on this line.
Live
THE FLOOR
Open to anyone, with no Unreal, no mocap suit, and no account: pick one choreography from the catalog, multiply its one captured body across a cast, and arrange the cast on stage. You keep nothing, because nothing arranged here is saved, sealed, or licensed.
Live · No station run
No partner named
THE CIRCUIT
The ten-minute arc, taken to institutions and events: a dancer is captured, sees the ensemble trick on their own movement, and leaves with a record started the KINEX way — consent first, seal attached. Stations run only under real signed arrangements; no partner is named until one is signed.
Live
THE DOORS
The same system, set out in each audience’s own language: brands & agencies, entertainment & media, sports organizations, game studios, AI labs, fitness & wellness, live events & venues, education & research, cultural institutions, enterprise & workplace, government & civic. Per-audience plain packaging, in the same clarity as everything above — with KINEX rates never published, in any segment, at any size.